Cast: David Straithairn, Robert Downey Jr., Patricia Clarkson, Ray Wise, Frank Langella, Jeff Daniels, George Clooney
Director: George Clooney
My Rating: **** / ****
David Straithairn’s act really took my breath away. Particulary when he says his closing statement, “Good Night, and Good Luck”. The expression of his face, the way his eyes wanders like he doesn’t really wants to end and said something more, the tone of his voice, and the way George Clooney captured the scene. All of them captivating me, led me to a state of pure intense that – again – literally took my breath away.
“Good Night, and Good Luck” is one of the five best drama of 2005 according to Golden Globe awards. For me, it’s one of the five best film of 2005 that I’d already seen. Not without a reason. This film is a second film in a relatively short-interval that I watched and told about the live of newsies and delivered in a black/white picture. The difference was of course the quality of the picture – physically. “His Girl Friday” shot in 1940 where color in film was yet implemented and “Good Night, and Good Luck” was intended to shot in a grayscale tone.
In a sense – wait, not just in a sense, but it just IS – “Good Night, and Good Luck” is a docu-drama (part documentary, part drama, and oh, throws a little bit of thriller in it, because that’s the way I see it) about public war between Edward R. Murrow, a journalist from CBS with Senator McCarthy about the senator’s policy against those people who in his opinion solely (that is, without further physical or publicly released proof) un-American. Right. He’s an anti-Communist senator. And Murrow attacks his policy which is just appropriate through his show “See it Now” which he co-produced with Fred Friendly (Clooney). But if you think about it, you could easily put the situation into modern days where we’d change the “anti-Communist” to “anti-Terrorist”. But that of course, is beyond the scope of this review.
This movie is easily a thrill-ride. The reporters involved in “See it Now” show were literally put their heads on a chop-block when they’re started to attack Senator McCarthy policy. It could easily be observed from the office’s shot, from the meetings prior the show, from executive decisions, and ultimately, I held my breath when all the crew, right after Murrow said his closing statement, waiting for the phone to ring. Now, that’s what I call thriller. And the climax was rewarding.